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“Into Each Life Some Rain Must Fall” – Ella Fitzgerald with The Ink Spots.“Civilization” – Danny Kaye with the Andrews Sisters.“Way Back Home” – Bob Crosby and The Bobcats.“Dear Hearts and Gentle People” – Bob Crosby and the Bobcats.
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“Crawl Out Through The Fallout” – Sheldon Allman.“It’s All Over But The Crying” – The Ink Spots.“Orange Colored Sky” – Nat “King” Cole and Stan Kenton.Artists like Billie Holiday and Nat King Cole feature, along with others. Many of them have eerie, atomic, post-apocalyptic themes, making them perfect for the game. These are old 1940s and 1950s classics, in keeping with Fallout’s pre-war aesthetic. Here’s the full list of the radio station’s tracklist. However, Diamond City Radio, the Fallout 4 equivalent to Fallout 3’s Galaxy News Radio, has a good helping of tracks to keep you whistling throughout the wasteland. As you'll see in the gallery below, the use of vibrant colors and a tightly defined palette serves a couple of purposes here: It differentiates one room or Boston-area landmark from the next and keeps everything in Fallout 4 looking visually fresh.If you are like the millions of other vault-dwellers new to The Commonwealth, you may find the lack of music choice a bit disheartening. Bethesda's triumphant return to the Wastes is what shakes the series' palette up the most. B-team developer Obsidian Entertainment's Fallout: New Vegas introduced a bit of chroma to its irradiated Las Vegas landscape in 2010, but it was still primarily a brown game. was a sickly shade of green, a deliberate choice by the developers at Bethesda Softworks to sell an omnipresent feeling of sickness and decay (it still persists in certain places here). In 2008's Fallout 3, nearly everything in the post-nuclear apocalyptic Washington D.C. The game is a vast improvement over its predecessors in one simple way: It's loads more vibrant. Of all the ways Fallout 4outshines earlier entires in the series, the way it uses color is perhaps the most apparent.
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